August 12, 2012, on the potential:

“In less than a month, they went from a mission statement video that seemed just a step away from vaporware, to following through on an API spec and then alpha version web site. They delivered.”

August 28, 2012, when I launched Watermark with App.net support:

“You can now add an App.net account and it will download any posts from your friends, making them available for search. Watermark is already storing tens of millions of tweets, and I’m excited to start adding App.net posts to that archive as well.”

January 11, 2013, with how and why I stopped posting to Twitter:

“Over three months ago I stopped using Twitter. I wanted to make a statement — perhaps in an overly-dramatic way — that the developer-hostile environment that Twitter had evolved into wasn’t something I could support anymore.”

January 21, 2013, reacting to one use of the global feed:

“And that’s the really good news: if what makes ADN special is the people, then it’s because all of the people have something in common. They didn’t chose ADN by accident, or because it was the default choice. They chose it because they wanted something better.”

March 25, 2013, where I review 3 iPhone apps:

“In this post I’m going to briefly review 3 of the most popular iPhone clients: Netbot, Felix, and Riposte. You can’t really go wrong with any of these three apps.”

March 28, 2013, about adopting the file storage API:

“There’s a lot of activity around App.net file storage right now. I think we’re going to see some great things built with this.”

And of course I’ve said much more about this on the Core Intuition podcast. Episodes 50, 65 and 82 are probably good places to start.

If you’ve been thinking about giving App.net a try, you can use this invite link to sign up for free. There’s also a great new iOS app that lets discover apps and sign up directly on the iPhone.

You can see the full changes in the release notes, or listen to episode 88 of Core Intuition. Daniel and I discussed the expedited review process and new versions. Tweet Library 2.3 is available in the App Store for $7.99 as a universal app for both iPhone and iPad.

I’ve also fixed an issue with how often Searchpath looks for new posts. It should be much faster to pick up on changes now, especially for blogs that update every day.

You can try Searchpath for free or subscribe for just $8/month.

And then, there are the folks who just exude hype. I love this quote from Jason Calacanis, talking up his new company Inside.com:

“It’s going to be somewhere between a hit and groundbreaking.”

Sure, it’s over the top. This style wouldn’t work if I said it. But the certainty — that the product’s success is guaranteed, and now we’re just haggling over how big a success it will be — does make me want to know more about what they’re building.

“What really upsets me is that the archived events will soon be taken offline, and with no way to back it up. Ten years of history will be gone in 11 days. Good URLs never die, and I’m frustrated that every link to Upcoming will soon 404.”

These kind of archive purges, whether through negligence or purpose, seem to be coming at an increasing rate. Last year it was Digg. Now Upcoming.org. Even Formspring is shutting down and deleting all 4 billion posts. And I’m sure there were a dozen lesser-known companies in between.

Luckily there’s a new effort to download the Upcoming archive with this GitHub project. It makes it easier to spin up multiple Heroku instances to get around Yahoo’s IP address rate limiting. Andy has an update on this project and the folks behind it: Archive Team. They’re making good progress on Upcoming, as well as Posterous and Formspring.

I referenced this book all the time when I was working on a little hand-drawn short film several years ago. Now an iPad version of the book is available. Floyd Bishop, writing for Animation Scoop:

“The timing of the animation examples in the book have always been hard for me to get my head around. This app shows the drawings come to life through animation. You can loop playback or scrub through the animation. I found this feature to be the most useful thing about the app.”

Nowadays, I’m too busy with software side projects to have time for animation as a hobby, but as a huge fan I’ll occasionally catch up on news and all the beautiful work artists are doing.

A few of my favorite short films over the last year:

• Chipotle’s stop-motion video. I was really happy to see it run during the Grammys last year. When I had showed my kids the video on YouTube earlier, they immediately fell in love with it. Kudos to Chipotle for giving it some high-profile national airtime. And don’t miss the amazing Flickr set of the production.
• Disney’s Paperman. You’ve probably seen this by now, and behind-the-scenes similar to this profile from Fast Company. Disney hadn’t innovated much in combining 2D and 3D since deep canvas on Tarzan and the character work on Treasure Planet, both over 10 years ago. It’s great to see them back on the cutting edge.
• Mickey Mouse in Croissant de Triomphe, supposedly the first in a series of new Mickey shorts. I would’ve preferred this to be more in the 1930s style, but this is still a lot of fun, and captures the spirit of the old Mickey shorts well.

And finally, I was really excited that Disney’s Pixar won an oscar, and to see the reaction from director Brenda Chapman. Circling back to Richard Williams, she actually worked early in her career on Roger Rabbit, and then as a story artist at Disney and director on Dreamworks’s Prince of Egypt.

Brenda said on her blog, about the Oscar win:

“And when I was fretting over having just one guest ticket, my husband, Kevin Lima, insisted that I take our daughter, Emma, with me. ‘You should share this with her,’ he said ‘it’s a mother and daughter night!’ Having Emma with me that night not only let me share with her one of the most wonderful nights of my life, it allowed me to tell the world how very much she means to me.”

So incredibly well-deserved. Animation is a painstakingly slow art form. The work of all these artists, from Richard Williams to Brenda Chapman, isn’t a 3-month mad dash to ship the next gimmick app to the App Store; it’s work that is measured across decades. Taken as a whole, I view it as an inspirational story of perseverance — a reminder that creating something great takes time.

“The threat to Macintosh was not that Windows machines were cheaper, or that people had bad taste—the biggest reason was that they worked with everything. That was why Apple asked Microsoft in 1997 to continue developing Office for Macs, so we could at least say you could run Word and Excel on Macs. […] But, these days, everything works with everything.”

And followed by Cabel Sasser, with a similar theme:

“I sometimes very awkwardly find myself rooting for Microsoft, Nokia—anybody—to put up a good fight and keep that fire burning under Apple’s collective behind. The smartest, most incredible people work in Cupertino, and their capabilities are boundless and their drive is endless, but sometimes—especially as a developer—you get the feeling that Apple doesn’t really need you, and will do just fine without you, thank you very much. I want Apple to need us.”

Both great essays.

“My grandfather worked most of his life as a stonemason. Much of that time was spent restoring the ruin of a Bishop’s palace in Sherborne. His work is still visible long after his death. The work of the stonemasons who built the palace is still visible after more than 8 centuries. How long after you stop programming is any of your work going to last?”

Not long, of course, and I’m not sure this is solvable. The best we can do is make sure our software runs on systems as long as possible, and to preserve the rest in screenshots and videos.

There are echoes of this theme in my post on permanence last year too, but for writing:

“Nothing lasts on the internet. I could write on my weblog for years and the next day get hit by a bus. The domain expires, the posts are lost, and it doesn’t matter if I had 10 readers or 10,000; it’s as if it never happened.”

As much as I dwell on preservation, my actual code and apps and the work I do in the software world might not be that significant. Instead, software can be the tool to make and preserve the important stuff: the writing, art, and discussions online that will matter later. Although I’d love to preserve the software as well, there is so much work to do just to keep the blogs and tweets. I’m content with making that easier.

Dave Winer also gives a nod to what software as art means, in an otherwise unrelated post on the press for Little Outliner, again framing it as what we’re building for other people to use:

“I think software is like other creative arts — music, architecture, cooking, even design of everyday things like bikes and clothes. It takes a relentless focus on the act of using, and what kind of effect you want to create.”

Joe Fiorini takes it even further:

“Perhaps our legacy is not in the software we build but the lives we touch, even in small ways, through the problems our programs solve.”

Like Andy Brice’s use of the word ephemeral above, Joe’s statement is difficult to measure. There’s no one thing we can point to years later. We just have to create something worthwhile and trust that it’s making someone’s life better, and that maybe that one customer will leave a mark on the world that survives long after our apps no longer run.

Although I’ve been trying to slowly move off of Google services, this would probably be too good a deal to pass up. However, it seems very unlikely that my neighborhood — which is in the city limits, but pretty far away from central Austin — will get fiber anytime soon. Definitely not in the first year. From the Statesman’s FAQ:

“The coverage is limited to the city of Austin, although Google did not get specific about geographic boundaries. Representatives said they don’t have plans to add Round Rock, Kyle or San Antonio as part of this roll-out. In addition to homes, Google will also provide Gigabit to about 100 public organizations that the city of Austin has helped choose.”

We don’t even yet have Verizon FiOS in our neighborhood, and that has been rolling out in the Austin area for a while now. Time Warner Cable is still the dominant provider.

Another interesting angle to the announcement: each Google Fiber customer also gets 1 terabyte of Google Drive storage. This sounded like a fantastic deal until I checked the normal Google Drive plans. They already have a 1 TB plan at $50/month, with more expensive options all the way up to 16 TB. (Dropbox stops at 500 GB unless you jump to their business-level “teams” plan.)

Maybe that is the first killer app for fiber. Not syncing files, as Dropbox pioneered, but cloud storage that is fast enough to be more like an extension of your local hard drive than a mirror of it. Something like Apple’s Fusion Drive, but where the slow hard drive is the cloud, and the SSD is just a local cache.

“Most important: design in greyscale. Color is hard and can lead to tinkering. My goal is to get in and out of the front-end bits quickly, so tinkering is the enemy. Greyscale is one dimensional, greatly simplifying matters. Give important information higher contrast and less important information or ‘chrome’ less contrast. Now you’re done thinking about color.”

These days I also start everything with Bootstrap, which adds great defaults for layout, buttons, and text. It makes everything looks better, right away. It’s not a replacement for a designer, but it does save hours (or days) of getting the basics up and running.